organizationSotheby'sAuction housealso known as Sotheby’sConnections (past & present)MembersJehan Chu, Carolina MostertHosted eventsNatively Digital, Natively Digital 1.2, Glitch: Beyond BinaryIncludesSotheby's Institute of ArtRoles and affiliations reflect coverage; some may be former.Coverage · 52 articlesPrimary2023The Paradox of NFT CurationSubstantial2026Jehan Chu on the Collective Stewardship of Blue-Chip Art2026The Art of Hacking Surveillance Systems2025On NFTs | An Affordable Edition for Scholars and Curators2025The Artist as Comedian2025The Power of The Paintbox2023How NFTs Changed the Art World2023To the Metaverse and Beyond2023Can we Build a Better NFT Ecosystem?2023In Search of Lost Robbies2023Robbie Barrat on “The Lost Robbies”Passing2026The Voyager | David Em2026Zero 10 Returns at Art Basel Hong Kong2026In Between the Art Worlds 2026A-Z of Digital Art 20262026Tyler Hobbs on Signal and Noise2025Zero 10 | Digital Art Goes Mainstream at Art Basel2025EZTV and LA’s Digital Underground2025The Lumen Prize Looks to the Future of Digital Art2025Artists Against Algorithms2025Whatever Happened to NFTs?2025The Art of Money2025Where Next for Digital Art?2024The Aesthetic of a Protocol2024Herbert W. Franke on Art After the NFT2023The Edges of Code2023Can Web3 Automate Equity?2023Why Should I Pin My NFTs?2023The Generative Symphony of Aaron Penne and Boreta2023What is the Future of Generative Media?2023When Tyler Hobbs Met 0xDEAFBEEF2023Have NFTs lost their way?2023The Aesthetic Measure of an NFT2023Pixel Art and the Age of Technostalgia2023A Brief History of Rare Pepe2023The Color of Code | Jeff Davis2023In Search of Generative Art History2023Data in the Year of the NFT2023An Interview with Frieder Nake2023An Interview with Tyler Hobbs | Part 12023An Interview with Tyler Hobbs | Part 22023fxhash | The Artists2023Is Blockchain a Medium?2023On Crypto Art’s Mexican Roots2023Rhea Myers and the Logic of Technical Realism2023ROBNESS AND THE TRASH ART REVOLUTION2023The Currency of Rarity2023The Lumen Prize Artists | Part 12023Tyler Hobbs on QQL and the Future of Generative Art2023Welcome to the Block Party2023When the Artists Met the Algorist2023Will NFTs Unite the Art World?Show 32 more
GSGiannis Sourdis@greekdx·3Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.Avant/Gay NFTs are dead. Long live Avant/Gay NFTs. After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...
AEAlex Estorick@axel·2Boards of Canada | InfernoBoards of Canada | Inferno. If technostalgia is a defining characteristic of technocapitalism then it’s hard not to regard BOC’s new album “Inferno” as a pure expression of that tendency. The group’s characteristically euphoric ...
TLTony Lyu@tony·2About our new websiteAbout our new website. Welcome to the new Right Click Save site. This is a quick rundown of what’s here and how it works. Right Click Save now runs on its own platform, built in-house, with three main sections: the Magazine...
JKJoana Kawahara Lino@joanakawaharalino·1Yelling Into The VoidYelling Into The Void. If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...
