The creator of the risk-auditing platform NFTimeless discusses storage, preservation, and digital art collecting
50 years on from Harold Cohen’s treatise on creativity, no one has yet built a program that is creative in the way he imagined
Artists are best placed to define the language of digital art because they are closest to what programs do, argues Paul Cohen
Paul Cohen discusses the role played by feedback and randomness in the early development of AI art
Zsofi Valyi-Nagy reflects on conversations at LACMA on the preservation of digital art
In “Almost Unreal”, artists look back to craft and forward to rewriting technologies of control
The author of books on the Anthropocene and the persistence of plastic discusses the nature of digital media ecologies
The curators of “Patterns of Entanglement” at NEORT++ introduce ten artists exploring human-nonhuman relations
A group of digital art scholars discusses how an interdisciplinary approach can disrupt old knowledge regimes
An essay from The Liminal Review analyzing new signals in arts technologies from The Lumen Prize
Artists and technologists are developing strategies to restore personal sovereignty over our data bodies
A new book by Ashley Lee Wong offers a fresh perspective on art’s evolving ecologies and economies
Rewriting copyright law to combat AI won’t protect creators but a new labor law might, argues Cory Doctorow
Kyle Waters and Alex Estorick discuss the evolving market for digital art
A trio of specialists discusses how artists can respond to the environmental cost of generative AI with Diane Drubay
Two leaders in the field of machine learning assess its progressive potential for art and beyond
Marius Watz Interviews Jason Salavon on Generative Art vs. Data-Driven Art
A proposal for robust standards for rich metadata
The Tickle’s Johnny Dean Mann with a First-Hand Report on Art Basel 2024
The trend of crypto artists buying back their own NFTs