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The online magazine for critical conversation about the expanding art world.

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Right Click Save

Publication

Profile (past & present)

Founders
Alex Estorick, Jason Bailey
Leaders
Alex Estorick, Tony Lyu, Jason Bailey, Daniel Murphy, Louis Jebb

Connections

Members
Alex Estorick, Louis Jebb, Danielle King, Ann Marie Alanes, Jason Bailey, Katherine Howatson-Tout
Works
ART & TECH
Hosted events
FEMGEN, Right Click Live, Snowfro's Squiggles: The Auction, Lumen Prize NFT Award

Roles and affiliations reflect coverage; some may be former.

Works · 1

ART & TECH

Coverage · 210 articles

Primary

  • 2026The Art of Computers | Apple at 50
  • 2026Jehan Chu on the Collective Stewardship of Blue-Chip Art
  • 2026RIGHT CLICK SAVE ANNOUNCES NEW ART & TECH QUARTERLY
  • 2026Zero 10 Returns at Art Basel Hong Kong
  • 2026Hans Ulrich Obrist on David Hockney
  • 2026In Between the Art Worlds
  • 2026Slow Digital | The Art of Media Archaeology
  • 2026A-Z of Digital Art 2026
  • 2026Right Click Save’s Top 10 Stories in 2025
  • 2025Zero 10 | Digital Art Goes Mainstream at Art Basel
  • 2025ANNOUNCING A NEW HOME FOR RIGHT CLICK SAVE
  • 2025Rare Digital Art Festival #1 Anniversary: Joe Looney
  • 2025The Art of Money
  • 2024FEMGEN and the Brave New Art World
  • 2024ANNOUNCING THE RCS BOOK
  • 2024The Emergent Artists of fx(hash)
  • 2023The Generations of Generative Art
  • 2023How NFTs Changed the Art World
  • 2023NFTs and the Future of Metaverse Fashion
  • 2023Rare Digital Art Festival #1 Anniversary: DADA
  • 2023Rare Digital Art Festival #1 Anniversary: Larva Labs
  • 2023The Lumen Prize Artists | Part 2
  • 2023Welcome to the Block Party

Substantial

  • 2026On Collecting by 100 collectors | EDOUARD on NFT preservation
  • 2026NODE | A Physical Space for a Digital World
  • 2026NFC Summit Puts Art First at New Factory Site
  • 2026Established Galleries Go Digital at Art Basel
  • 2026Change of Protocol | Digital Art at the Venice Biennale
  • 2026On Screens | Jefferson Hack and Susanna Davies-Crook
  • 2026The Interview | Maya Man
  • 2026Art Blocks Embraces AI Agents
  • 2026“Contemporary Perception is Hybrid” | Troika
  • 2026On Collecting | Ryan Zurrer, owner of 1OF1
  • 2026My Frankenstein | David Salle’s AI Experiment
  • 2026Swirls of Fortune | The Art of Clowns
  • 2026The New Museum Goes Back to the Future
  • 2026THE CANONS OF DIGITAL ART
  • 2026In Search of Aesthetic Consensus | Botto
  • 2026On Collecting | From Pascal Boyart to Vera Molnar
  • 2026Recent Acquisitions | From Emi Kusano to Shahzia Sikander
  • 2026Sculpture Meets Digital Art Under the Moon
  • 2026Sensing Quantum | Pierre Huyghe in Berlin
  • 2026Museum Opens Portals to the Past with Minecraft
  • 2026On Collecting | From CryptoCats to Computational Media
  • 2026The Factory of Dreams | Onassis ONX
  • 2026Digital Art Acquisitions in 2025
  • 2026Speculative Visions at the Munch Triennale
  • 2026The Artists at the Intersection
  • 2026Tyler Hobbs on Signal and Noise
  • 2025Samia Halaby and Joshua Citarella to show at Whitney Biennial
  • 2025AI | ALTERNATIVE INTENTIONS
  • 2025A Manifesto for AI Agents | Kristi Coronado and Solienne
  • 2025A Portrait of AI
  • 2025The Art of Good Taste
  • 2025Larva Labs on Quine and Code as Art
  • 2025On NFTs | An Affordable Edition for Scholars and Curators
  • 2025The Lumen Prize Looks to the Future of Digital Art
  • 2025The Interview | Danielle Brathwaite-Shirley
  • 2025Larva Labs to Release Final Art Blocks Curated Project
  • 2025The Art of the Game
  • 2025The Space of Critical Immersion
  • 2025Caring Code | Marcelo Soria-Rodríguez
  • 2025Where Next for Digital Art?
  • 2024On net.art, postinternet, and CryptoArt
  • 2024Art on the Move | Jasia Reichardt
  • 2024The Lumen Prize | Yuqian Sun
  • 2024The Byzantine History of NFTs
  • 2024An Interview with Vera Molnar
  • 2024The Power of Processing
  • 2023The fx(hash) Conversation | Ciphrd and Zancan
  • 2023Where Next for NFTs?
  • 2023The Interview | A. Michael Noll
  • 2023The Edges of Code
  • 2023The Interview | Piter Pasma
  • 2023The New Crypto Artists
  • 2023Poetry at the Edge of the Human
  • 2023The Art of Embodied Immersion | Alida Sun
  • 2023Time On The Blockchain
  • 2023On the Early Days of Hic Et Nunc
  • 2023When Poetry Took Over the Blockchain
  • 2023Joe Kennedy and Artnome on Rebuilding the Art World
  • 2023PROOF OF PIXELS
  • 2023The Interview | Operator
  • 2023Squiggles Bring Out the Best in Web3 in Tribute to Hal Finney
  • 2023How Do You Judge The Lumen Prize?
  • 2023The NFT Research Group | SODA
  • 2023thefunnyguys and Artnome on Le Random
  • 2023Are NFTs a Real Solution for Museums?
  • 2023Can an App Transform NFT Collecting?
  • 2023DAOs in the Art World
  • 2023Digital Art in the Expanded Field
  • 2023How NFTs Changed Digital Art Forever
  • 2023Right Click Live and Japan’s New NFT Scene
  • 2023The Lumen Prize Artists | Part 1
  • 2023The Lumen Prize NFT Award
  • 2023WHAT’S YOUR #RIGHTCLICKFAVE?!
  • 2023When the Artists Met the Algorist

Passing

  • 2026Landscape as Memory | Connie Bakshi’s “Black Water”
  • 2026Art After Justice | TJ Demos
  • 2026PLEASE RESPOND | Generative Art’s Exquisite Corpse
  • 2026In Emergent Fields | Iskra Velitchkova
  • 2026The Secret Life of an NPC: A Ghost Story
  • 2026Future Facing | Manuel Rabaté to lead India’s largest private museum
  • 2026Remembering Marian Goodman (1928-2026)
  • 2026Drawing with Robots | Patrick Tresset
  • 2026New Shows to See Around The World
  • 2026The Data Forest | Art at The World Economic Forum
  • 2025Art Basel Qatar to show digital projection by Bruce Nauman
  • 2025Metakovan Opens Art and Technology Space in Singapore
  • 2025Serpentine and The FLAG to Partner on New Global Prize
  • 2025Remembering Frank Gehry (1929-2025)
  • 2025Tokyo Sets Stage for Exhibition of Media Ecologies
  • 2025FEMGEN | The Conversation
  • 2025Infinite Images | The Art of Algorithms
  • 2025On the Hypercentralization of Crypto Art
  • 2025Synthetic Trauma and the Poetics of Erasure
  • 2025The Art of DIY Education
  • 2025The Latent Image
  • 2025Herndon, Dryhurst, and Hobbs on Liquid Images
  • 2025Computational Poetry | Wen New Atelier
  • 2025Dancing with Computers | Analivia Cordeiro
  • 2025Can Art and Tech Giants Shape Education with AI?
  • 2025The Power of The Paintbox
  • 2025Art After Artists
  • 2025The Interview | Libby Heaney
  • 2025When We Became Posthuman
  • 2025More Than Human Conversation
  • 2025Whatever Happened to NFTs?
  • 2025The Interview | Bjørn Staal
  • 2025Cure³ Unites the Art World to Cure Parkinson’s
  • 2025The Pixel Universe | Yosca Maeda
  • 2025Nobody Works at the Canvas Museum
  • 2025Living Artwork | Alexandra Daisy Ginsberg
  • 2025The Future of Creative AI
  • 2024Patterns of Flow | Revisiting Hiroshi Kawano
  • 2024Decentering the Human | Kadine James
  • 2024Shunsuke Takawo on Generative Art in Japan
  • 2024The Interview | john gerrard
  • 2024What the Punk!
  • 2024The Interview | Matt DesLauriers
  • 2024The Metaverse as a Radical Medium
  • 2024The Interview | Danielle King
  • 2024The Interview | Jared S. Tarbell
  • 2024The New Precisionists
  • 2023The Art of Radical Inclusivity
  • 2023The Art of the Profile Picture Portrait
  • 2023The Power of the Plotter
  • 2023reGEN | Generative Artists Fighting Degenerative Diseases
  • 2023The Land of OG | Frenetik Void
  • 2023The Generous Art of Robert Hodgin
  • 2023The True Value of Tokens
  • 2023The Interview | Refik Anadol
  • 2023Can Web3 Automate Equity?
  • 2023Why Should I Pin My NFTs?
  • 2023Empire State of Crypto Art
  • 2023When Tyler Hobbs Met 0xDEAFBEEF
  • 2023NFTs and the Risk of Perpetual Colonialism
  • 2023fxhash | The Collectors
  • 2023An Interview with Snowfro
  • 2023Painting and the Personal Computer | Samia Halaby
  • 2023On Curation | Yusuke Shono
  • 2023NFTs and the Digital Democratization of Museums
  • 2023When Generative Art Became Contemporary Art
  • 2023What Does “On-Chain” Really Mean?
  • 2023The Power of Community Curation | JPG
  • 2023Is Art Getting Closer to Science?
  • 2023On Generative Pixel Art
  • 2023The NFT Curator | Cabline
  • 2023For the Love of Squiggles
  • 2023Emi Kusano and Japan’s New Retro
  • 2023The Color of Code | Jeff Davis
  • 2023How Can Universities Adapt to Web3?
  • 2023How To (Really) Make It in Web3
  • 2023The Poetics of Protest
  • 2023Kitel | A Generative Artist for Ukraine
  • 2023Art in the Age of Algorithmic Selection
  • 2023Boundless Bodies and NFTs
  • 2023Our Fathers | Chuck Csuri and D. P. Henry
  • 2023Why We Need a Generative Art Award
  • 2023When Stephanie Dinkins Met Harm van den Dorpel
  • 2023An Interview with XCOPY
  • 2023A New Model of Charitable Giving in Web3
  • 2023An Interview with Ganbrood
  • 2023An Interview with Jesse Draxler
  • 2023An Interview with Manfred Mohr
  • 2023An Interview with Marina Abramović
  • 2023An Interview with Tyler Hobbs | Part 2
  • 2023Can AI Unlock the Unconscious?
  • 2023Can NFTs Save the Music Industry?
  • 2023CIPHRD on FXHASH
  • 2023fxhash | The Artists
  • 2023How to Regulate NFTs
  • 2023In Search of Lost Robbies
  • 2023Is Blockchain a Medium?
  • 2023Is it Possible to Decolonize the Blockchain and NFTs?
  • 2023NFTs After The Merge
  • 2023NFTs and the New Power of Performance Art
  • 2023NFTs and The Tech Resurrection
  • 2023On Decentralized Curation
  • 2023Pathfinder and the New Logic of NFT Collecting
  • 2023REPORT | NFT ART DAY ZRH
  • 2023Robbie Barrat on “The Lost Robbies”
  • 2023The IPFS Interview
  • 2023The Lumen Interview | elekhlekha
  • 2023THE NFT APOCALYPSE
  • 2023The NFT Collector | KarateKid
  • 2023The United Community of Crypto Art
  • 2023The Worldbuilders of Web3
  • 2023Tyler Hobbs on QQL and the Future of Generative Art
  • 2023Web3 and the New Social Contract

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From the Magazine

On Collecting by 100 collectors | EDOUARD on NFT preservation

Eleonora Brizi · Interviews · Jun '26

NODE | A Physical Space for a Digital World

Louis Jebb · Interviews · Jun '26

On the Index

Andy Warhol— Artist

State of the Network— Work

Proof of Work— Exhibition