BRIDGE

In the Forum

After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...

Alex Estorick@axel2

If technostalgia is a defining characteristic of technocapitalism then it’s hard not to regard BOC’s new album “Inferno” as a pure expression of that tendency. The group’s characteristically euphoric ...

Joana Kawahara Lino@joanakawaharalino1

If the dead internet theory holds, we are all operating in a kind of cultural afterlife: producing for systems that consume without reading, circulating ideas through networks that route them back bef...

Louis Jebb@louisjebb

Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...

From the Magazine

Generative Art and the Decentralization of Creativity

Peter Bauman · Histories · Sep '23

Profile (past & present)

Pieces · 3

Coverage · 1 article

Substantial

Read Next

In the Forum

From the Magazine

Generative Art and the Decentralization of Creativity

On the Index

Vera Molnár— Abstract painter

Georg Nees— Artist

William Mapan— Artist

Profile (past & present)

Pieces · 3

Coverage · 1 article

Substantial

Read Next

In the Forum

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.

Boards of Canada | Inferno

Yelling Into The Void

Institutional Stamina

From the Magazine

Generative Art and the Decentralization of Creativity

On the Index

Vera Molnár— Abstract painter

Georg Nees— Artist

William Mapan— Artist