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The online magazine for critical conversation about the expanding art world.

PeopleWorksEventsOrganizationsConceptsPlaces
person

Vera Molnár

Known for computer art. Works with Fortran. Founded Centre de Recherche d'Art Visuel in 1960. A noted influence on Marcelo Soria-Rodriguez and Ivona Tau.

Profile (past & present)

Roles
Abstract painter
Locations
Paris, France
Practices
Computer art
Technologies
Fortran
Movements
Constructivism

Connections

Collaborators
François Molnar, Martin Grasser
Influenced people
Ivona Tau, Kristi Coronado, Marcelo Soria-Rodríguez, Maya Man
Influenced works
Aerial View, F(l)ight, Facetune Portraits, Study of atom in analog, digital and A.I.
Representation
Galerie 8+4
Founder of
Centre de Recherche d'Art Visuel
Affiliations
Groupe de Recherche d'Art Visuel

Roles and affiliations reflect coverage; some may be former.

Works · 26

1% de désordre (1% of disorder)
2% of disorder in co-operation #01
2% of disorder in co-operation #14
8 Colonnes
Ascension (Ascent)
De La Serie (Des) Ordres
Des(ordres)
Dispersion
Draft for cover of Pierre Barbaud, La Musique Algorithmique
Du Cycle: Segments et leurs Croisements No. 8 (Of the Cycle: Segments and their Intersections)

Coverage · 45 articles

Primary

  • 2024An Interview with Vera Molnar
  • 2023The Case for Classical Music NFTs

Substantial

  • 2026On Collecting by 100 collectors | EDOUARD on NFT preservation
  • 2026Established Galleries Go Digital at Art Basel
  • 2026The Hand of AARON | Harold Cohen’s Freehand Line Algorithm
  • 2026A-Z of Digital Art 2026
  • 2026On Collecting | From Pascal Boyart to Vera Molnar
  • 2025FEMGEN | The Conversation
  • 2025Infinite Images | The Art of Algorithms
  • 2025Where Next for Digital Art?
  • 2024Herbert W. Franke on Art After the NFT
  • 2023Generative Art and the Decentralization of Creativity
  • 2023Art in the Age of Co-Creation
  • 2023When Art Entered the Computer Age
  • 2023Rebecca Allen and the Birth of Virtual Reality
  • 2023In Search of Generative Art History
  • 2023thefunnyguys and Artnome on Le Random
  • 2023fxhash | The Artists
  • 2023On the New Evolution of Generative Art
  • 2023Rhea Myers and the Logic of Technical Realism
  • 2023The Currency of Rarity

Passing

  • 2026The Interview | Maya Man
  • 2026In Emergent Fields | Iskra Velitchkova
  • 2026Slow Digital | The Art of Media Archaeology
  • 2026THE CANONS OF DIGITAL ART
  • 2026Recent Acquisitions | From Emi Kusano to Shahzia Sikander
  • 2025Remembering Frank Gehry (1929-2025)
  • 2025A Manifesto for AI Agents | Kristi Coronado and Solienne
  • 2025On NFTs | An Affordable Edition for Scholars and Curators
  • 2025The Interview | CROSSLUCID
  • 2025ANNOUNCING A NEW HOME FOR RIGHT CLICK SAVE
  • 2025Keeping Up With Crypto Lingo
  • 2024Patterns of Flow | Revisiting Hiroshi Kawano
  • 2024Alternative Evolution | William Latham
  • 2023The Power of the Plotter
  • 2023The Interview | A. Michael Noll
  • 2023The Generations of Generative Art
  • 2023When IX Shells Met Fingacode
  • 2023The Color of Code | Jeff Davis
  • 2023Why We Need a Generative Art Award
  • 2023An Interview with Frieder Nake
  • 2023Art Blocks and the Data of Generative Art
  • 2023The Generative Art of Marcelo Soria-Rodriguez
  • 2023WHAT’S YOUR #RIGHTCLICKFAVE?!
  • 2023When the Artists Met the Algorist

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From the Magazine

On Collecting by 100 collectors | EDOUARD on NFT preservation

Eleonora Brizi · Interviews · Jun '26

Established Galleries Go Digital at Art Basel

Louis Jebb · News · May '26

On the Index

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