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In the Forum

After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...

Alex Estorick@axel2

If technostalgia is a defining characteristic of technocapitalism then it’s hard not to regard BOC’s new album “Inferno” as a pure expression of that tendency. The group’s characteristically euphoric ...

Louis Jebb@louisjebb

Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...

Alex Estorick@axel

I want to start by saying that my interest as Founding Editor of Right Click Save is not and has never been in defining the digital arts but surfacing as wide a range of voices as possible to determin...

From the Magazine

The Interview | john gerrard

Whitney Hart · Interviews · Aug '24

Profile (past & present)

Connections

Coverage · 2 articles

Substantial

Read Next

In the Forum

From the Magazine

The Interview | john gerrard

When Generative Art Became Contemporary Art

On the Index

Right Click Save— Publication

Los Angeles County Museum of Art— Museum

John Gerrard

Profile (past & present)

Connections

Coverage · 2 articles

Substantial

Read Next

In the Forum

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.

Boards of Canada | Inferno

Institutional Stamina

State of the Digital Arts

From the Magazine

The Interview | john gerrard

When Generative Art Became Contemporary Art

On the Index

Right Click Save— Publication

Los Angeles County Museum of Art— Museum

John Gerrard