Installation view of “Programmed: Rules, Codes, and Choreographies in Art, 1965-2018” at Whitney Museum of American Art, New York, September 28, 2018-April 14, 2019, with works (from left to right, top to bottom): Ian Cheng, Baby feat. Ikaria, 2013; Josef Albers, Homage to the Square V, 1967; Josef Albers, Homage to the Square IX, 1967; Josef Albers, Homage to the Square XII, 1967; Josef Albers, Homage to the Square X, 1967; Josef Albers, Variant V, 1966; Josef Albers, Variant VI, 1966; Josef Albers, Variant X, 1966; Josef Albers, Variant IV, 1966; Josef Albers, Variant II, 1966; Josef Albers, Variant VII, 1966; John F. Simon Jr., Color Panel v1.0, 1999; Casey Reas, {Software} Structure #003 A, 2004 and 2016; Casey Reas, {Software} Structure #003 B, 2004 and 2016; Donald Judd, Untitled, 1965; Sol LeWitt, Five Towers, 1986. Photography by Ron Amstutz