I'm With You

In the Forum

I want to start by saying that my interest as Founding Editor of Right Click Save is not and has never been in defining the digital arts but surfacing as wide a range of voices as possible to determin...

Louis Jebb@louisjebb

Musing on all the new institutions opening in 2026, I was recently struck by a point made by Efsun Erkiliç, co-founder, with Refik Anadol, of Refik Anadol Studio (RAS), about institutional “stamina”. ...

Tony Lyu@tony2

Welcome to the new Right Click Save site. This is a quick rundown of what’s here and how it works. Right Click Save now runs on its own platform, built in-house, with three main sections: the Magazine...

Giannis Sourdis@greekdx3

After months of not travelling for art events I visited Lisbon to attend the Non-Fungible Conference 2 weeks ago. Something that I kept being asked was "What happened to those Gay NFTs" My response wa...

From the Magazine

Synthetic Trauma and the Poetics of Erasure

Rachel Falconer · Analysis · Dec '25

Profile (past & present)

Coverage · 1 article

Substantial

Read Next

In the Forum

From the Magazine

Synthetic Trauma and the Poetics of Erasure

On the Index

Sasha Stiles— Artist

QQL— Work

Coded: Art Enters the Computer Age, 1952-1982— Exhibition

Profile (past & present)

Coverage · 1 article

Substantial

Read Next

In the Forum

State of the Digital Arts

Institutional Stamina

About our new website

Avant/Gay NFTs are dead. Long live Avant/Gay NFTs.

From the Magazine

Synthetic Trauma and the Poetics of Erasure

On the Index

Sasha Stiles— Artist

QQL— Work

Coded: Art Enters the Computer Age, 1952-1982— Exhibition